Tag Archives: contemporary

California Chrome and Abstract Flowers

Two new paintings to talk about this week. One is a portrait of California Chrome, but we will start off with a little abstract flower painting Metro and I did.

It didn’t start out as a flower painting. It started out as an abstract using only Metro’s strokes. But I have always wanted to collaborate with Metro on something a little more abstract. I have collaborated with Metro before, but they have always turned out to be paintings of horses, trees, even bears. But we had never collaborated on an abstract before. Metro already has a successful career as an abstract painter, what does he need me for? But Metro isn’t much for composition and structure, he is all about laying down the brush strokes.

Believe it or not, abstract paintings have structure and composition too, using the same rules that apply to landscapes and photography. For this painting I chose a “Golden Section” composition, or “Rule of Thirds”. If you were to draw a tic tac toe pattern on the canvas your center of interest would go where two of these lines crossed each other. You can even use more than one focal point, but one should be more dominant than the others.

So using yellows mixed with white, I began carving a composition out of the blue and green strokes that Metro had already laid down on the canvas. By the time i was finished, it reminded me of freshly cut flowers in a vase. So we titled this one “Freshly Cut”.

Freshly Cut Painting
“Freshley Cut” by Ron & Metro. Available at Gallery 30.

For the second painting of California Chrome, I had every intention of working with Metro on it, but got carried away and ended up painting the whole thing without Metro’s help. I signed it and looked at it for a couple of weeks, and discovered I wasn’t happy with it. It was missing something, and that was Metro’s input. I thought my version looked a little stiff with too many hard edges. It needed Metro’s touch to soften it up and take away some of the hardness. If you want to loosen up your paintings, paint with a horse. He is about as loose as you can get. My big concern was Metro painting over my image of Chrome. Metro doesn’t care much for staying inside the lines. I just wanted him to paint on the background and foreground and leave the image intact, so I had to keep watch and take the brush away if he was starting to get carried away.

In the end Metro’s soft wispy brushstrokes add a delicate touch to the painting that I couldn’t have added on my own. My version is on the left, and on the right is a much better version after Metro added his touches.

To see all of Metro’s available paintings please visit www.PaintedbyMetro.com

California Chrome painting
My version on the left, with Metro’s touches on the right. The Ron and Metro version is available at Gallery 30.
Advertisements

New paintings from Metro

finished abstract painting

This first one is a collaboration we titled “Two on the Eleven”. We used Metro as the model for this one. It started out with Metro painting his abstract strokes, using limited colors of red, black and white. I then added my touches, trying to blend in with the strokes that Metro had already laid down. Using the same red, black and white color scheme, I painted an image of Metro and his jockey onto Metro’s work. Hopefully we did a nice job of blending our two styles together. 16×20″ acrylic, on 1.5″ deep gallery wrapped canvas. $400 at Gallery 30. Contact info@gallery30.com.

Blue Vase Blues

“Blue Vase Blues”. This one was a blast to paint, because I worked with Metro to create this image together. Trading off brush strokes, Metro supplied the abstract strokes, and I carved a vase and flowers out of it. Another unique thing about this painting, is that we captured the whole thing on video, from start to finish. 18×24″ acrylic on 1.5″ deep gallery wrapped canvas. $500. Contact Gallery 30 at info@gallery30.com to have this painting shipped to your home.

Life Beneath the Ice

“Life Beneath the Ice” $500. 20×20″ acrylic on 1.5″ deep canvas. This is not a new painting, but has not been offered fro sale for the last year and a half. This is actually one of my favorite paintings by Metro. I liked it so much that I kept it for myself, but am now willing to part with it. Usually we will work on different colors on different days, so they have a chance to to dry, and Metro doesn’t smear them together. But sometimes a little smearing can be a good thing, as Metro demonstrates by blending the oranges and blues to make some beautiful gray tones. Available at Gallery 30. Contact info@gallery30.com and they will be happy to ship it to you.

To see all of Metro’s available paintings, please visit www.PaintedbyMetro.com